Type Of Entry: Corporate or Brand Identity
Category: Posters, Flyers, Tickets, Invitations, Etc.
Title: 15 BELOW EMERGENCY BLANKET POSTER
Advertiser/Client: TAXI TORONTO
Product/Service: 15 BELOW
Entrant Company, City: TAXI CANADA, Toronto
Country: CANADA
Design/Advertising Agency, City: TAXI CANADA, Toronto
Country: CANADA
Credit Details:
Name
Position
Company
Steve Mykolyn
Executive Creative Director
TAXI Canada
Amelia Charlton
Writer
TAXI Canada
David Taylor
Designer
TAXI Canada
Michael Kohn
Photographer
Bruce Ellis
Agency Print Producer
TAXI Canada
Printer
Catagory 5
Brief/Objectives/Goals:
From information to insulation.
Most recipients of this poster will tear it up. And that's just the reaction we want. It was designed to be handed out with the 15 Below jacket - a lightweight coat that uses the insulating power of newspaper to help protect the homeless against the harsh Canadian winters.
The poster provides multiple language instructions on how the 15 Below jacket works. Printed on newsprint, it can then be torn up and stuffed into the jacket's multiple pockets throughout the lining. It measures 10" x 15" (38 x 25.5 cm) folded, and 40" x 60 " (152 x101 cm) unfolded. It is also being distributed to homeless shelters to help create awareness of the j
Type Of Entry: Corporate or Brand Identity
Category: Publications
Title: POINTS OF VIEW
Advertiser/Client: CONERGY
Product/Service: ENERGY COMPANY
Entrant Company, City: KEMPERTRAUTMANN, Hamburg
Country: GERMANY
Design/Advertising Agency, City: KEMPERTRAUTMANN, Hamburg
Country: GERMANY
Credit Details:
Name
Position
Company
Tim Belser
Creative Director
Kempertrautmann
Philipp Kafkoulas
Art Director
Kempertrautmann
Oliver Griep
Art Director
Kempertrautmann
Roman Beesch
Art Director
Kempertrautmann
Sina Rabe
Art Assistant
Kempertrautmann
Nils Wollny
Account Manager
Kempertrautmann
Stefan Fцrster
Copy Writer
Kempertrautmann
Christiane Peiser
Production
Henrik Schmidt
Production
Brief/Objectives/Goals:
Task: Development of a brand book for Conergy, which illustrates the cleantech business segments of the company. Such as solar, wind, biological and geothermal energy. The book should make Conergy appear as a smart, intelligent and highly attractive company.
Solution: The book does not need a single drop of ink. Instead the pictures and the text are made up of tiny holes in the paper. The result: a completely white book - the cleanest book on
Type Of Entry: Corporate or Brand Identity
Category: Posters, Flyers, Tickets, Invitations, Etc.
Title: SMOKING KILLS MORE
Advertiser/Client: UNIMED
Product/Service: HEALTHCARE ORGANISATION
Entrant Company, City: F/NAZCA SAATCHI & SAATCHI, Sao Paulo
Country: BRAZIL
Design/Advertising Agency, City: F/NAZCA SAATCHI & SAATCHI, Sao Paulo
Country: BRAZIL
Credit Details:
Name
Position
Company
Fabio Fernandes
Creative Director
F/Nazca Saatchi & Saatchi
Eduardo Lima
Creative Director/Copywriter
F/Nazca Saatchi & Saatchi
Ricardo Jones
Copywriter
F/Nazca Saatchi & Saatchi
Airton Carmignani
Art Director
F/Nazca Saatchi & Saatchi
Andre Tozini
Illustrator
F/Nazca Saatchi & Saatchi
Edna Bombini
Art Buyer
F/Nazca Saatchi & Saatchi
Cris Godoy
Art Buyer
F/Nazca Saatchi & Saatchi
Brief/Objectives/Goals:
The campaign Cigarro mata mais (Smoking kills more) is part of Unimed's actual brand positioning which is focused on prevention.
The challenge was to bring some freshness to the anti-smoking issue and alert people about something they already know and sometimes is taken for gr
Type Of Entry: Corporate or Brand Identity
Category: Posters, Flyers, Tickets, Invitations, Etc.
Title: TESA TAPE ART
Advertiser/Client: TESA
Product/Service: ADHESIVE TAPE
Entrant Company, City: JUNG von MATT, Stuttgart
Country: GERMANY
Design/Advertising Agency, City: JUNG von MATT, Stuttgart
Country: GERMANY
Credit Details:
Name
Position
Company
Mark Khaisman
Creative Director
Stefan Roesinger
Art Director
Jung Von Matt
Joachim Silber
Creative Director
Jung Von Matt
Michael Ohanian
Creative Director
Jung Von Matt
Lennart Frank
Copywriter
Jung Von Matt
Tassilo Gutscher
Copywriter
Jung Von Matt
Dominic Stuebler
Graphic Designer
Jung Von Matt
Harald Isenmann
Account Supervisor
Jung Von Matt
Mark Khaisman
Illustrator
Brief/Objectives/Goals:
Challenge:
The goal was to create an attention-grabbing campaign for Tesa pack ultra strong that plainly illustrates the product's benefit. The communication was targeted on awareness for the product and its ultra strength.
Strategy:
To demonstrate the performance of Tesa pack ultra strong, we developed analogies for power and strengths. The clever bit: the motifs consist of 100% adhesive tape.
Results:
Since the campaign only started in spring 2008 we can't provide any sales figures yet. However, by now Tesa got a great response for this campaign: the images became talk of the art-world. People couldn't believe that the images where 100% tape but eventually they noticed that even the small lines are folded or rumpled tape. Tesa even got requests if the images are sal
The Annual Report of Fleurop is not only information to Fleurop's shareholders, but also the company's visit card towards the media and business partners in Switzerland and abroad.
Last year, Fleurop Switzerland proved their floristic competence amongst their readers by using illustrations, that were entirely made of fl
Type Of Entry: Corporate or Brand Identity
Category: Broadcast Design & Graphics
Title: S4C INTERACTIVE VOICE-ACTIVATED IDENTS
Advertiser/Client: S4C
Product/Service: TELEVISION BROADCASTER
Entrant Company, City: MINIVEGAS, London
Country: UNITED KINGDOM
Design/Advertising Agency, City: MINIVEGAS, London
Country: UNITED KINGDOM
Credit Details:
Name
Position
Company
Luc Schurgers
Director/Concept
Minivegas
Dan Lewis
Programmer
Minivegas
Roger Whittlesea
Producer
Proud
Dan Witchell
Creative Director
Proud
Shane Walter
Commissioner
Onedotzero
Dylan Griffith
Client
S4C
Brief/Objectives/Goals:
We were given a brief by the client to create idents that were picture postcard scenes of Welsh life. We wanted to produce idents that could bring those scenes to life in real time. We came up with the idea of developing voice reactive imagery that would be entirely unique each time it screened. In order to achieve this we built a real time compositing engine.
By using 10 background plates, the broadcast announcer can, in real time, affect the imagery within each scene. Elements randomly move based on the volume and frequency of the announcer's voice. The idents stand on their own without voice, but speech breathes life into the scenes.
The project took over a year to develop, from conception, R&D, live-action shoot, post, coding, and integration. We developed the S4C application completely from scratch by writing video decoding, compositing, colour correction, etc and using open source libraries. There are approximately 50,000 lines of code in the final product. The system behaves like a digi deck as it is installed at the broadcaster's office, communicating with their scheduling system; switch audio and output synchronized digital video and audio using broadcast standard si
Type Of Entry: Corporate or Brand Identity
Category: Environmental Design: Semi-Permanent
Title: THE HUMANITIES ABC OF HUMANKIND
Advertiser/Client: FEDERAL MINISTRY OF EDUCATION AND RESEARCH
Product/Service: SCIENCE YEAR 2007
Entrant Company, City: SCHOLZ & FRIENDS IDENTIFY, Berlin
Country: GERMANY
Design/Advertising Agency, City: SCHOLZ & FRIENDS IDENTIFY, Berlin
Country: GERMANY
Credit Details:
Name
Position
Company
Wolf Schneider
Managing Director
Scholz & Friends Identify
Penelope Winterhager
Managing Director
Scholz & Friends Identify
Tobias Wolff
Creative Director
Scholz & Friends Identify
Olivier Nowak
Art Director
Scholz & Friends Identify
Gito Lima
Art Director
Scholz & Friends Berlin
Jinhi Kim
Art Director
Scholz & Friends Identify
Juergen Krugsperger
Art Director
Scholz & Friends Identify
Christian Ruehe
Art Director
Scholz & Friends Identify
Philipp Mehne
Copywriter
Scholz & Friends Agenda
Mirko Derpmann
Copywriter
Scholz & Friends Agenda
Christof Biggeleben
Copywriter
Scholz & Friends Agenda
Hans Selge
Copywriter
Scholz & Friends Agenda
Bettina Prange
Account Manager
Scholz & Friends Identify
Lars Colin Steinmayer
Film Producer
Anke Landmark
Film Producer
Scholz & Friends Identify
Nele Juergens
Film Producer
Scholz & Friends Identify
Daniel Klessig
Film Producer
Scholz & Friends Identify
Sebastian Greuner
Photographer
Holger Nawrocki
Faзade Climbers
Nawrocki Alpin
Daniel Margraf
Letter Installation
Skudi Optics
Sound Producer
Hastings Berlin
Brief/Objectives/Goals:
Brief:
In Germany, the focus of 2007 was the Humanities. The task was to attract attention and arouse public and media interest in Humanities, their diversity of themes and importance in our life. Our mission was to make the Humanities as visible and tangible as possible in public spaces.
Objectivs:
To create lasting images, special projectors were used to shine giant letters onto public buildings of great symbolic significance. "Human flies" then glued special foil over the letters.
The installations function like the Humanities themselves: you have to change your perspective to truly understand them. Only from the proper angle does the whole picture make sense.
Goals:
The result was Germany's largest alphabet - architecture and art have made the "Science Year" into an event. In just a short time the ABC installations developed into a publicity magnet: subjects were photographed billions of times and made their way around the world. The campaign achieved much media coverage, from local radio stations and newspapers to the national press and TV sta
Type Of Entry: Corporate or Brand Identity
Category: Broadcast Design & Graphics
Title: TAKING THE WORD TO THE STREETS
Advertiser/Client: SYDNEY WRITERS' FESTIVAL
Product/Service: 2007 SYDNEY WRITERS' FESTIVAL
Entrant Company, City: SAATCHI & SAATCHI, Sydney
Country: AUSTRALIA
Design/Advertising Agency, City: SAATCHI & SAATCHI, Sydney
Country: AUSTRALIA
Credit Details:
Name
Position
Company
Julian Melhuish
Designer
Saatchi Design Sydney
Chris Doyle
Designer
Saatchi Design Sydney
Sharon Yang
Designer
Saatchi Design Sydney
Stephen Sparke
Writer
Saatchi & Saatchi
Julian Melhuish
Creative Director
Saatchi Design Sydney
Film Production
Saatchi Design Sydney
Cameron Bruce
Music
Steve Back
Executive Creative Director
Saatchi & Saatchi
David Nobay
Executive Creative Director
Saatchi & Saatchi
Brief/Objectives/Goals:
Announce the 2007 Sydney Writers' Festival.
The design objectives:
1) Generate interest and excitement.
2) Draw a bigger and more diverse audience than the previous year.
3) Position the festival as an inclusive, accessible, public event.
How it achieved its goals:
The piece captured words in a different light, demonstrating that the Sydney Writers' Festival is about more than just books and wr
Type Of Entry: Corporate or Brand Identity
Category: Environmental Design: Semi-Permanent
Title: AMNESTY INTERNATIONAL TORTURE MEETS MODERN ART
Advertiser/Client: AMNESTY INTERNATIONAL GERMANY
Product/Service: AMNESTY INTERNATIONAL GERMANY
Entrant Company: OGILVY FRANKFURT
Country: GERMANY
Design/Advertising Agency: OGILVY FRANKFURT
Country: GERMANY
Credit Details:
Name
Position
Company
Dr. Stephan Vogel
Executive Creative Director
Ogilvy Frankfurt
Christian Mommertz
Creative Director
Ogilvy Frankfurt
Christian Schцnwдlder
Artist
Galerie Diskus
Christoph Lode
Chairman of Ai Section Mannheim
Amnesty International Mannheim
Rolf Lauter
Director of Mannnheier Kunsthalle
Mannheimer Kunsthalle
Friederike Vogel
Account Management
Ogilvy Frankfurt
Friedrich Detering
Graphic
Ogilvy Frankfurt
Aziz Wakim
Photographer
Christina Hufgard
Art Buying
Ogilvy Frankfurt
Brief/Objectives/Goals:
The Amnesty International Section of Mannheim (Germany) wanted to create new and strong public interest in their town, because people often avoid the classical Amnesty information desks in pedestrian zones and shopping malls.
We disguised torture as a modern art sculpture and exposed it in the most unusual context, the big local Art Museum (Kunsthalle Mannheim). Because in museums you'll find people of higher education and income than in ordinary contexts - the profile of potential Amnesty supporters. The artist Christian Schoenwaelder created the sculpture for us.
Over 7,000 visitors saw the sculpture in the Museum. We had large PR coverage in local and national newspapers. And we created PR in magazines where Amnesty normally would never get in: Art Magazines and Marketing Periodicals. The clickrates on amnesty-international.de during the promotion were 16% higher than in the previous months. The local Amnesty Group in Mannheim had 50% more applications for membership right after the prom
Type Of Entry: Packaging Design
Category: Foods
Title: READY SALAD
Advertiser/Client: HORTIFRUTI
Product/Service: RECYCLABLE SALAD PACKAGING
Entrant Company, City: INDUSTRIA NACIONAL & DIALOGO DESIGN, Rio de Janeiro
Country: BRAZIL
Design/Advertising Agency, City: INDUSTRIA NACIONAL & DIALOGO DESIGN, Rio de Janeiro
Country: BRAZIL
Credit Details:
Name
Position
Company
Bruno Bertani
Creative Director
Industria Nacional & Dialogo Design
Ricardo Saint-Clair
Creative Director
Industria Nacional & Dialogo Design
Paulo Ferreira
Product Designer
Industria Nacional & Dialogo Design
Paulo Neto
Product Designer
Industria Nacional & Dialogo Design
Brief/Objectives/Goals:
To create an innovative brand touch point for Hortifruti, a Brazilian fresh fruit & vegetable retail chain. A recyclable salad packaging that adds value to the brand generates new income, and grabs more cons
Type Of Entry: Corporate or Brand Identity
Category: Environmental Design: Permanent
Title: ADIDAS MI INNOVATION CENTRE
Advertiser/Client: ADIDAS
Product/Service: ADIDAS FLAGSHIP STORE
Entrant Company, City: MUTABOR DESIGN, Hamburg
Country: GERMANY
Design/Advertising Agency, City: MUTABOR DESIGN, Hamburg
Country: GERMANY
Credit Details:
Name
Position
Company
Jens May
Adidas
Chris Aubrey
Adidas
Anne Nebendahl
Adidas
Heinrich Paravicini
Creative Direction
Mutabor Design
Axel Domke
Art Direction
Mutabor Design
Christian Tцnsmann
Art Direction
Mutabor Design
Thomas Huth
Architecture
Mutabor Design
Andreas Schradin
Graphics
Mutabor Design
Ksawery Oroczko
Graphics
Mutabor Design
Jens Uwe Meyer
Graphics
Mutabor Design
Media Planning
NIYU Media Projects
Programming
Fraunhofer Heinrich-Hertz-Institut
Programming
N-Store Multimedia
Sehsucht
Timo Schдdel
Film
Boris Salchow
Composer
Brief/Objectives/Goals:
A new highlighted retail product should be developed that mirrors the technical and innovative progress of Adidas.
Solution: The Adidas mi Innovation Centre is a 70sqm multi-sensory digital installation inside the Adidas flagship store. Its mission consists in the communicating and strengthening of the high-tech and innovation competence of the Adidas brand. By using all possible digital media (LED catwalk that scans the feet, online interface to customize the shoes by using an infrared hand track system and a touch screen, etc.) the visitor can customize their Adidas product without taking off their own
Type Of Entry: Packaging Design
Category: Non-Alcoholic Drinks
Title: THE DEW OF LONGEVITY
Advertiser/Client: TROPICAL PLANT RESOURCES RESEARCH INSTITUTE
Product/Service: HEALTH SUPPLEMENT DRINK
Entrant Company, City: DENTSU, Tokyo
Country: JAPAN
Design/Advertising Agency, City: DENTSU, Tokyo
Country: JAPAN
Credit Details:
Name
Position
Company
Koichi Ito
Creative Director
DENTSU TOKYO
Yohei Ugaeri
Copywriter
DENTSU TOKYO
Mitsuhiro Kutsukake
Art Director
DENTSU TOKYO
PLUG
Production Company
PLUG
Shinji Minami
Photographer
Tomoko Kida
Designer
Keiko Nagamoto
Designer
Kotaro Mita
Account Executive
DENTSU TOKYO
Hiroki Moriyama
Account Executive
DENTSU TOKYO
Takeshi Kamimura
Advertiser's Supervisor
Tropical Plant Resources Research Institute
Brief/Objectives/Goals:
The Dew of Longevity
Product Description: "The Dew of Longevity" is a health supplement drink made by fermenting green papaya produced in Okinawa.
Objective: Health supplement products often create negative impressions in Japan, including being seen as "dubious." Our objective was to avoid such reactions and create a high-quality and reliable image for the brand.
Outline: Two key colours were used: dark green to suggest a natural ingredient; and an off-white shade to evoke the image of a hand-made product. For the logo, a typeface was designed reminiscent of that used for a traditional Japanese seal.
Result: Successfully established the
Type Of Entry: Packaging Design
Category: Alcoholic Drinks
Title: ABSOLUT DISCO
Advertiser/Client: V&S ABSOLUT SPIRITS
Product/Service: ABSOLUTE VODKA
Entrant Company, City: FAMILY BUSINESS, Stockholm
Country: SWEDEN
Design/Advertising Agency, City: FAMILY BUSINESS, Stockholm
Country: SWEDEN
Credit Details:
Name
Position
Company
Marten Knutsson
Creative Director
Family Business
Kalle Wahlstrom
Copywriter
Family Business
Clara Mattson
Copywriter
Family Business
Fredrik Lindquist
Art Director
Family Business
Magnus Petermann
Industrial Designer
Family Business
Christian Styffe
Art Director Assistant
Family Business
Magnus Lundgren
Art Director Assistant
Family Business
Gabriella Agner
Illustrator
Family Business
Frederika Curry Ohlson
Account Director
Family Business
Nicki Hallenberg
Account Manager
Family Business
Brief/Objectives/Goals:
Challenge: To stand out in the cluttered trade environment and act as a natural choice for those who really want to party.
Solution: Make a disco ball, shaped as an Absolut bottle, with a hook on top and put on all Absolut bottles during the campaign period. Once the vodka bottle on the inside is removed, the disco ball can be hung in the ceiling and danced around.
Result: Visibility and number of facings rose dramatically. In many markets, sales were up more than 1000%. Most markets sold out their Absolut stock to the last
.2008
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Cannes Lions 2008
55 международный фестиваль рекламы Canes Liоns стартовал вчера во Франции. Ожидается, что мероприятие посетит 9500 делегатов и 12 тысяч представителей рекламной индустрии из 85 стран мира. На конкурс представлено 28 тысяч работ, что на 10,2% больше, чем в прошлом году. Среди новшеств этого года - конкурсная категория Design.
тел/факс: +7 (495) 225 1331 адрес: 109004, Москва, Пестовский пер., д. 16, стр. 2
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